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Broadside Ballads Vol​.​III

by The Deep Dark Woods

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Brigg Fair 02:39
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Songwriters: Bill Simon, Badger Clark Spanish is the loving tongue Soft as music, light as spray It was a girl I learned it from Living down Sonora way I don't look much like a lover Still I hear her love words over Mostly when I'm all alone Mi amor, mi corazón On the nights that I would ride She would listen for my spurs Throw that big door open wide Raise those laughin' eyes of her Oh, how the night would go a-flyin' All too soon I'd hear her sighin' In her sweet and quiet tone Mi amor, mi corazón Haven't seen her since that night I can't cross the line you know They want me for a gamblin' fight Like as not, it's better so Still I've always kind of missed her Since that last sad night I kissed her Left her heart, I broke my own Adios, mi corazón
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The Boatman 04:16
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Peggy Gordon 05:00
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about

One might be tempted to think of the Deep Dark Woods as a band steeped in capital-T tradition, and that may be true, but now nearly two decades into their life as one of Canada's finest folk-roots ensembles, that tradition is one of their own invention. The voice of founding member Ryan Boldt sits at the forefront of the band, and it doesn't take long to reveal that he is a master of subtlety and shading, working in the lineage of iconic singers like Bob Dylan, Bert Jansch, Rick Danko, and Jason Molina. Boldt, a relentless lifelong listener of music, says “It's all I do. When I'm not playing music, I'm listening to it, trying to find songs that make me feel an aching pain in my chest.” Accordingly, his singing is full of highly emotive nuance and an elegant, relaxed precision that makes it seem downright effortless, a perfect vehicle for the band's particular brand of updated folk music. Fellow travellers like keyboard whiz Geoff Hilhorst, veteran drummer Mike Silverman, and Evan Cheadle round out the Deep Dark Woods unit, and they are often assisted by like-minded collaborators such as singer-songwriter Ellen Froese, Erik Nielsen, Leon Power, and the acclaimed duo Kacy & Clayton. This crew creates a powerful combination, and has amassed a pile of celebrated albums, EPs, and host of nominations from music awards outfits from across the country. Together they recall classic units like The Band, mid-period Wilco, and American Beauty-era Grateful Dead, but also legendary late '60s UK groups like Fairport Convention, Pentangle, and Steeleye Span. Which brings us to the Deep Dark Woods' latest album, Broadside Ballads, Vol.III. Intertwined amongst their albums of original material, Deep Dark Woods has been steadily building up a series of releases called Broadside Ballads, focusing on traditional Irish, English, and Scottish folk songs. It's a fitting tribute to the music that influenced Boldt's writing and singing since first forming the band, and like their forebears, Deep Dark Woods aims to take their own experiences of traditional music and create something new and vital. The songs in this collection mine some of the more brutal depths of human experience, touching on broken hearts, love, murder, and the act of leaving. Boldt notes that “there are not too many jolly songs in there”, but the album is not a dour affair, instead benefiting from tasteful, unstated arrangements and an organic, no-frills recording sound. The songs on Vol.III generously display Deep Dark Woods' deep-seated links to the past while still sounding just like themselves.

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released May 1, 2024

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The Deep Dark Woods

The Deep Dark Woods listen to Fairport Convention, Bob Dylan, Shirley Collins, Incredible String Band, Percy Sledge, Al Green, Neil Young, Kevin Ayers, The Grateful Dead, early Steeleye Span, Planxty, The Band and many other groups.

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